Yeats & the Problem of Crazy Jane

Yeats & the Problem of Crazy Jane

Public Talk

with

Professor Margaret Mills Harper

6pm Thursday 28 April

The Model Theatre, Sligo

Fergus Bourke: Hawthorn Tree, Connemara

Fergus Bourke: Hawthorn Tree, Connemara

This talk considers Yeats’s late 1930s flowering in poetry that is randy, raucous, rampaging, but possessing also a rare subtlety and rhythmic feeling.  The talk opens up discussion of poetics, censorship, balladry, sexuality, the fascinating western figures of Cracked Mary and Crazy Jane, what you can get up to beneath trees, and even a type of herbal substance named ‘Warlock’.  Professor Harper’s scholarship is both engaging and profound, and this is a talk not to be missed.

Margaret Mills Harper is Glucksman Professor of Contemporary Writing in English at the University of Limerick. She is the author of The Aristocracy of Art: Joyce and Wolfe (1990), and Wisdom of Two: The Spiritual and Literary Collaboration of George and W. B. Yeats ( 2006). She has co-edited two of the four volumes of Yeats’s “Vision” Papers (1992 and 2001) and both the 1925 and 1937 versions of Yeats’s A Vision (2008, 2015).

Meg Harper

Crazy Jane and the Bishop
Bring me to the blasted oak
That I, midnight upon the stroke,
(All find safety in the tomb.)
May call down curses on his head
Because of my dear Jack that’s dead.
Coxcomb was the least he said:
The solid man and the coxcomb.
Nor was he Bishop when his ban
Banished Jack the Journeyman,
(All find safety in the tomb.)
Nor so much as parish priest,
Yet he, an old book in his fist,
Cried that we lived like beast and beast:
The solid man and the coxcomb.

The Bishop has a skin, God knows,
Wrinkled like the foot of a goose,
(All find safety in the tomb.)
Nor can he hide in holy black
The heron’s hunch upon his back,
But a birch-tree stood my Jack:
The solid man and the coxcomb.

Jack had my virginity,
And bids me to the oak, for he
(All find safety in the tomb.)
Wanders out into the night
And there is shelter under it,
But should that other come, I spit:
The solid man and the coxcomb.

from Words for Music Perhaps (1931)

Professor Margaret Mills Harper appears in conversation with the curator of Yeats & the West, and Lecturer in English at NUI Galway, Dr Adrian Paterson.

Dr Adrian Paterson – NUI Galway and curator of the exhibition, speaking at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo. Photo: James Connolly 24MAR16

Dr Adrian Paterson – NUI Galway and curator of the exhibition, speaking at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo.
Photo: James Connolly
24MAR16

Yeats and the West logo

Yeats & the West Exhibition Tours & Talks

Curators Tours 1pm. Public Talks 6pm.

Free entry

 The Model, Sligo

Tours Thursday at 1pm

Tours of the exhibition from the curators take place every Thursday at 1pm.  Find out what makes art and poetry so close, and observe the connection of books, and music, drama, and discover never before seen rare books and fine art from the collections of NUI Galway and The Model. Come and get an inside view of the crafts and cultures that made a western revolution.

Dr Adrian Paterson, NUI Galway, and curator of the exhibition, Donal Tinney, Chairperson of The Model, John Cox, NUIG, and Barry Houlihan, NUIG, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo. Photo: James Connolly 24MAR16

Dr Adrian Paterson, NUI Galway, and curator of the exhibition, Donal Tinney, Chairperson of The Model, John Cox, NUIG, and Barry Houlihan, NUIG, at the NUI Galway Launch of Yeats & the West Exhibition at The Model, Sligo.
Photo: James Connolly
24MAR16

Talks Thursdays at 6pm

This series of talks on Yeats’s connection to the west and beyond takes us inside the makings of a western cultural revolution. Talks from experts in the field range from exploring the pioneering art and craftwork of the Yeats family to W.B.Yeats’s own life and loves, considering his some of his most controversial and sexy poems; they reveal the extraordinary plays of his brother, the artist Jack B. Yeats, and alongside the Model Gallery’s newly unveiled Broadside collection, showcase his design and print work; and they weigh the wider forces that turned a cultural revolution into a real one.

Speakers include the curators of the exhibition Dr Adrian Paterson and Barry Houlihan (NUI Galway), Professor Adrian Frazier (NUI Galway), Professor Margaret Mills Harper (University of Limerick and outgoing Director of the Yeats International Summer School), Dr Hilary Pyle (former Yeats Curator at National Gallery of Ireland), Dr Ian Walsh (NUI Galway), Dr Mary Harris (NUI Galway).

Yeats and the West logo

All talks take place every Thursday at 6pm in the Model Theatre.

7 April – ‘Lake Isles, River Eyots: making Innisfree with the Yeats family’

Adrian Paterson, English, NUI Galway

14 April – ‘A Disturbing Influence: Maud Gonne in the life of W.B. Yeats’

Adrian Frazier, English, NUI Galway

21 April – ‘Jack B. Yeats’s A Broadside: a sheaf of ballads or a battery of guns?’

Hilary Pyle, former Yeats Curator at the National Gallery of Ireland

28 April – ‘W.B. Yeats and the Problem of Crazy Jane’

Margaret Mills Harper, University of Limerick, & outgoing Director of the Yeats International Summer School

5 May – ‘A Vaudeville of Frustration: The Theatre of Jack B. Yeats’.

Ian Walsh, Centre for Drama Theatre and Performance, NUI Galway

12 May – ‘Romanticism and Realism: Pearse, MacNeill, the Revival and the Rising’

Mary Harris, History, NUI Galway

For schools events Thursdays  enquire schoolvisits@nuigalway.ie

The Model opening hours

Tues-Sat: 10am – 5.30pm

Thurs: 10am – 8pm

Sun: 12 – 5pm

Mon: Closed

Yeats and the West logo

Yeats & the West Exhibition Talks & Tours

Yeats & the West Exhibition Tours & Talks
Thursdays 24 March – 12 May

Yeats and the West logo

Thursdays

Curators Tours 1pm. Public Talks 6pm.

Free entry

 The Model, Sligo

J.M.Synge at The Playboy of the Western World dress rehearsal, by John Butler Yeats

J.M.Synge at The Playboy of the Western World dress rehearsal, by John Butler Yeats

Tours Thursday at 1pm

Tours of the exhibition from the curators take place every Thursday at 1pm.  Find out what makes art and poetry so close, and observe the connection of books, and music, drama, and discover never before seen rare books and fine art from the collections of NUI Galway and The Model. Come and get an inside view of the crafts and cultures that made a western revolution.

WP_20160324_16_56_11_Pro

Talks Thursdays at 6pm

This series of talks on Yeats’s connection to the west and beyond takes us inside the makings of a western cultural revolution. Talks from experts in the field range from exploring the pioneering art and craftwork of the Yeats family to W.B.Yeats’s own life and loves, considering his some of his most controversial and sexy poems; they reveal the extraordinary plays of his brother, the artist Jack B. Yeats, and alongside the Model Gallery’s newly unveiled Broadside collection, showcase his design and print work; and they weigh the wider forces that turned a cultural revolution into a real one.

Speakers include the curators of the exhibition Dr Adrian Paterson and Barry Houlihan (NUI Galway), Professor Adrian Frazier (NUI Galway), Professor Margaret Mills Harper (University of Limerick and outgoing Director of the Yeats International Summer School), Dr Hilary Pyle (former Yeats Curator at National Gallery of Ireland), Dr Ian Walsh (NUI Galway), Dr Mary Harris (NUI Galway).

 

Yeats and the West logo

All talks take place every Thursday at 6pm in the Model Theatre.

7 April – ‘Lake Isles, River Eyots: making Innisfree with the Yeats family’

Adrian Paterson, English, NUI Galway

14 April – ‘A Disturbing Influence: Maud Gonne in the life of W.B. Yeats’

Adrian Frazier, English, NUI Galway

21 April – ‘Jack B. Yeats’s A Broadside: a sheaf of ballads or a battery of guns?’

Hilary Pyle, former Yeats Curator at the National Gallery of Ireland

28 April – ‘W.B. Yeats and the Problem of Crazy Jane’

Margaret Mills Harper, University of Limerick, & outgoing Director of the Yeats International Summer School

Meg Harper

5 May – ‘A Vaudeville of Frustration: The Theatre of Jack B. Yeats’.

Ian Walsh, Centre for Drama Theatre and Performance, NUI Galway

12 May – ‘Romanticism and Realism: Pearse, MacNeill, the Revival and the Rising’

Mary Harris, History, NUI Galway

For schools events Thursdays  enquire schoolvisits@nuigalway.ie

The Model opening hours

Tues – Sat: 10am – 5.30pm

Thurs: 10am – 8pm

Sun: 12 – 5pm

Mon: Closed

Yeats and the West logo

Fergus Bourke: Hawthorn Tree, Connemara

Fergus Bourke: Hawthorn Tree, Connemara

Exhibition Closing with Margaret Mills Harper & Crazy Jane

Fergus Bourke: Hawthorn Tree, Connemara

Fergus Bourke: Hawthorn Tree, Connemara

Yeats and the West logo

Exhibition Closing

with

Prof. Margaret Mills Harper

University of Limerick

‘Yeats & the Problem of Crazy Jane’

Monday 15 February 2016

Professor Margaret Mills Harper on Crazy Jane

Professor Margaret Mills Harper on Crazy Jane

To close the exhibition in Galway, Margaret Mills Harper gave a sparkling talk on philosophy, sex, censorship balladry, and poetics, including Cracked Mary, Crazy Jane, and a type of grass no one in the room admitted to having tried called ‘Warlock’. Introducing her exhibition curator Adrian Paterson thanked her for her scholarship and the energy she radiates whenever and wherever in the world talking about Yeats. He also warmly thanked his co-curator Barry Houlihan, and all the other contributors to the exhibition over a more than a year’s work.

Dr Adrian Paterson and Professor Margaret Mills Harper

Dr Adrian Paterson and Professor Margaret Mills Harper

Come and see us in Sligo! Opening at The Model, 24 March.

Wall%20Vinyl%205_P1 copy 2

Margaret Mills Harper is Glucksman Professor of Contemporary Writing in English at the University of Limerick. She is the author of The Aristocracy of Art: Joyce and Wolfe (1990), and Wisdom of Two: The Spiritual and Literary Collaboration of George and W. B. Yeats ( 2006). She has co-edited two of the four volumes of Yeats’s “Vision” Papers (1992 and 2001) and both the 1925 and 1937 versions of Yeats’s A Vision (2008, 2015).

Crazy Jane and the Bishop
Bring me to the blasted oak
That I, midnight upon the stroke,
(All find safety in the tomb.)
May call down curses on his head
Because of my dear Jack that’s dead.
Coxcomb was the least he said:
The solid man and the coxcomb.

Nor was he Bishop when his ban
Banished Jack the Journeyman,
(All find safety in the tomb.)
Nor so much as parish priest,
Yet he, an old book in his fist,
Cried that we lived like beast and beast:
The solid man and the coxcomb.

The Bishop has a skin, God knows,
Wrinkled like the foot of a goose,
(All find safety in the tomb.)
Nor can he hide in holy black
The heron’s hunch upon his back,
But a birch-tree stood my Jack:
The solid man and the coxcomb.

Jack had my virginity,
And bids me to the oak, for he
(All find safety in the tomb.)
Wanders out into the night
And there is shelter under it,
But should that other come, I spit:
The solid man and the coxcomb.

from Words for Music Perhaps (1931)

YEATSANDTHEWESTINVITATION1 copy

 

Exhibition Closing with Margaret Mills Harper & Crazy Jane

 

Yeats and the West logo

Exhibition Closing

with

Prof. Margaret Mills Harper

University of Limerick

‘Yeats & the Problem of Crazy Jane’

Room G010, Hardiman Research Building, NUI Galway

5pm Monday 15 February

Refreshments served

Margaret Mills Harper is Glucksman Professor of Contemporary Writing in English at the University of Limerick. She is the author of The Aristocracy of Art: Joyce and Wolfe (1990), and Wisdom of Two: The Spiritual and Literary Collaboration of George and W. B. Yeats ( 2006). She has co-edited two of the four volumes of Yeats’s “Vision” Papers (1992 and 2001) and both the 1925 and 1937 versions of Yeats’s A Vision (2008, 2015).

Fergus Bourke - Hawthorn, Connemara Lowerrescopy

Fergus Bourke: ‘Hawthorn Tree, Connemara’

Crazy Jane Talks with the Bishop
I met the Bishop on the road
And much said he and I.
`Those breasts are flat and fallen now
Those veins must soon be dry;
Live in a heavenly mansion,
Not in some foul sty.’

 

`Fair and foul are near of kin,
And fair needs foul,’ I cried.
‘My friends are gone, but that’s a truth
Nor grave nor bed denied,
Learned in bodily lowliness
And in the heart’s pride.

 

`A woman can be proud and stiff
When on love intent;
But Love has pitched his mansion in
The place of excrement;
For nothing can be sole or whole
That has not been rent.’

YEATSANDTHEWESTINVITATION1 copy